Jenůfa

About

National Theatre Chorus
National Theatre Orchestra
National Theatre Opera Ballet 

After a very long and complicated genesis, the opera ultimately triumphed at Czech and foreign theatres. Jenůfa was the piece that gained Janáček global acclaim and renown as an opera creator. With his profound sense for earthy drama, as well as immense compassion, the composer depicts human relationships formed by the harsh milieu of a self-contained rural community, with its inhabitants’ lives being exposed to the constant gaze of others. This conservative environment affects the fate of the young Jenůfa, and above all governs the behaviour of her stepmother Kostelnička, who at any cost strives to retain her reputation as a virtuous, moral woman and the villagers’ respect. Paradoxically, she does so by secretly murdering Jenůfa’s extramarital child.

Leoš Janáček was deeply impressed by the realist drama of the same name by the Czech author Gabriela Preissová, premiered in 1890 to a lukewarm response. The writer initially rejected the composer’s intention to set her play to music, yet five years later Janáček adapted the text into a libretto – notably, he retained the prose form, thus becoming one of the pioneers of opera not sung in verse. The composer completed the work at the beginning of 1903. Due to his personal disputes with the principal conductor, Karel Kovařovic, the National Theatre refused to perform the opera. Consequently, Jenůfa was taken up by Brno, where on 21 January 1904 it received its triumphant world premiere. The National Theatre in Prague would only give its first performance 12 years later. Subsequently, the opera was staged in Vienna (1918) and other major cultural centres. In December 1924, its American premiere was held at the Metropolitan Opera, which presented it with Max Brod’s German libretto. At the present time, Jenůfa is a staple of the repertoire of numerous opera houses worldwide.

Photographers for production: František Ortmann a Hana Smejkalová

Suitable for audience from 12 years.