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Ballet

Sarcasms

Andrey Kaydanovskiy, Hans van Manen, Eyal Dadon

Czech premiere: 24 April 2025 at the National Theatre

The National Theatre
Premiere production

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    April 2025

    Thursday 24. 4.
    19:00

    Tickets available

    Featured programme ND+
    1. premiere
    Premiere
    Premiere production

    Friday 25. 4.
    19:00

    Tickets available

    Featured programme ND+
    2. premiere
    Premiere
    Premiere production

    Sunday 27. 4.
    15:00

    Tickets available

    Premiere production

    Sunday 27. 4.
    19:00

    Tickets available

    Premiere production

    Wednesday 30. 4.
    19:00

    Tickets available

    Premiere production
    May 2025

    Wednesday 7. 5.
    19:00

    Tickets available

    Premiere production

    Saturday 10. 5.
    15:00

    Tickets available

    Premiere production

    Saturday 10. 5.
    19:00

    Tickets available

    Premiere production
    September 2025

    Friday 26. 9.
    19:00

    Booking not started yet

    Premiere production

    Saturday 27. 9.
    14:00

    Booking not started yet

    Premiere production

    Saturday 27. 9.
    19:00

    Booking not started yet

    Premiere production

    Basic information

    Venue

    The National Theatre

    Premiere

    Czech premiere: 24 April 2025 at the National Theatre

    Contemporary ballet is progressive, experimenting and advancing dance as a genre. It presents a singular and up-to-date view of the body within the modern-time context, often raising existential questions. Such traits characterise the triple bill made up of works by Andrey Kaydanovskiy, Hans van Manen and Eyal Dadon.

    Creatives

    About

    ...And How Is Your Life? |  Andrej Kajdanovskij 
    This choreography explores stress and our natural response to it. In a world filled with external pressures, we’ve lost touch with our primal instinct to flee. Once a survival mechanism, stress has evolved, and today it’s born not from danger, but from the constant demands of life. Despite efforts to manage stress through therapy or mindfulness, we often suppress the urge to act, trying to reason our way out. But emotions—fear, love, rage, joy—remain, hidden but burning inside. This work calls us to embrace our instincts, to let go, to feel deeply, and to move freely, allowing us to truly be free.

    Sarcasmen | Hans van Manen  
    Van Manen’s playful Sarcasmen, to Sergei Prokofiev’s Sarcasms, is a set of five eerie compositions for piano. It was made in 1981 for Rachel Beaujean and Clint Farha. As always with Van Manen, human relationships are central in this ballet for two and a pianist. Sarcasmen is about provocation, challenging each other, even tormenting each other, but never 'over the top' - that would detract from the refined chic and eroticism of the choreography. The duet, which received worldwide praise, marked Beaujean’s breakthrough, who was promoted to second soloist after the premiere.

    Katastrof | Eyal Dadon
    "One day, I was on a flight from Vietnam to China. Suddenly, in a terrifying two-second moment, the plane dropped, the lights went out, and it felt like something out of a horror movie. Passengers screamed and panicked, but I didn't hear a thing—I had my headphones on, and the noise cancellation was nearly perfect. I was listening to Let It Go from Frozen, and the timing was surreal, as it was right at the chorus." E. D.

    When catastrophe meets sarcasm, a unique tension emerges, highlighting our ability to find light even in darkness. This contrast reflects the human struggle against adversity, showing how we search for meaning or solace even when things feel dire.

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    Practical information

    Where to buy tickets

    When purchasing online, you can get an e-ticket. You can pick up printed tickets in person at the box offices of the National Theatre.

    The National Theatre sells tickets up to 6 months in advance - currently for March–August 2025.
    Sales always start on the 1st day of the month at 9am, except in January when pre-sales do not start until the 2nd day due to a public holiday.

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    While visiting The National Theatre and the New Stage you can use again the underground car park of the National Theatre. Information and a parking fee.

     

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    By their appearance, attire and behaviour, the audience is obliged to adhere to the accustomed practice expected from them when attending a theatre performance.

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